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The John F Kennedy Center for the Performing Arts 2700 F Street Nw Washington Dc

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United states of america national cultural center in Washington, D.C.

John F. Kennedy Memorial Middle for the Performing Arts
Kennedy Center seen from the Potomac River, June 2010.jpg

Kennedy Eye seen from the Potomac River

John F. Kennedy Memorial Center for the Performing Arts is located in Central Washington, D.C.

John F. Kennedy Memorial Center for the Performing Arts

John F. Kennedy Memorial Center for the Performing Arts

Location inside Central Washington, D.C.

Testify map of Fundamental Washington, D.C.

John F. Kennedy Memorial Center for the Performing Arts is located in the United States

John F. Kennedy Memorial Center for the Performing Arts

John F. Kennedy Memorial Heart for the Performing Arts

John F. Kennedy Memorial Heart for the Performing Arts (the Us)

Show map of the U.s.

Address 2700 F Street, NW
Location Washington, D.C., United States
Coordinates 38°53′45″N 77°03′21″W  /  38.8957°N 77.0559°W  / 38.8957; -77.0559 Coordinates: 38°53′45″N 77°03′21″W  /  38.8957°Due north 77.0559°Due west  / 38.8957; -77.0559
Public transit WMATA Metro Logo.svg Washington Metro
WMATA Blue.svg WMATA Orange.svg WMATA Silver.svg at Foggy Bottom–GWU station
Bus transport Metrobus
Possessor Us regime
Operator John F. Kennedy Center for the Performing Arts
David Rubenstein, Chairman
Deborah Rutter, President
Type Performing arts center
Capacity Concert Hall: 2,454
Opera House: 2,294
Eisenhower Theater: 1,161
Terrace Theater: 475
Theater Lab: 398
Family Theater: 320
Jazz Social club: 160
Structure
Broke ground December 2, 1964
Opened September 8, 1971 (1971-09-08)
Architect Edward Durell Stone
Structural engineer Severud Associates
Full general contractor John McShain
Tenants
National Symphony Orchestra
Washington National Opera
Website
www.kennedy-middle.org

Bust of John F. Kennedy past Robert Berks located reverse the entrance to the Opera House in the Center

The John F. Kennedy Center for the Performing Arts (formally known as the John F. Kennedy Memorial Heart for the Performing Arts, and commonly referred to as the Kennedy Heart) is the Us National Cultural Center, located on the Potomac River in Washington, D.C. Information technology was named in 1964 as a memorial to assassinated President John F. Kennedy. Opened on September eight, 1971, the center hosts many different genres of operation art, such as theater, trip the light fantastic, orchestras, jazz, popular, and folk music.

Authorized by the 1958 National Cultural Eye Act of Congress,[1] which requires that its programming be sustained through private funds, the center represents a public–individual partnership. Its activities include educational and outreach initiatives, almost entirely funded through ticket sales and gifts from individuals, corporations, and private foundations.

The original edifice, designed by architect Edward Durell Stone,[i] was constructed by Philadelphia contractor John McShain, and is administered as a bureau of the Smithsonian Institution. An earlier design proposal called for a more curvy, spaceship-inspired building similar to how the Watergate circuitous appears today.[2] An extension to the Durell Rock Building was designed past Steven Holl and opened in 2019. The eye receives annual federal funding to pay for edifice maintenance and operation.

History [edit]

The idea for a national cultural center dates to 1933 when Beginning Lady Eleanor Roosevelt discussed ideas for the Emergency Relief and Civil Works Assistants to create employment for unemployed actors during the Nifty Low.[3] Congress held hearings in 1935 on plans to plant a Cabinet level Section of Science, Fine art and Literature, and to build a monumental theater and arts edifice on Capitol Colina near the Supreme Court edifice. A 1938 congressional resolution chosen for construction of a "public building which shall be known equally the National Cultural Eye" near Judiciary Square, merely nothing materialized.[3]

Flags in the Hall of States

The idea for a national theater resurfaced in 1950, when U.Due south. Representative Arthur George Klein of New York introduced a bill to qualify funds to plan and build a cultural center. The pecker included provisions that the centre would prohibit any discrimination of cast or audience. In 1955, the Stanford Research Institute was commissioned to select a site and provide pattern suggestions for the middle.[four] From 1955 to 1958, Congress debated the idea amid much controversy. A bill was finally passed in Congress in the summertime of 1958 and on September 4, President Dwight D. Eisenhower signed into law the National Cultural Center Human action which provided momentum for the project.[5]

This was the first time that the federal government helped finance a structure defended to the performing arts. The legislation required a portion of the costs, estimated at $x–25 1000000, to be raised within five years of the neb'south passage.[vi] Edward Durell Rock was selected every bit architect for the project in June 1959.[seven] He presented preliminary designs to the President's Music Committee in October 1959, along with estimated costs of $50 million, double the original estimates of $25–30 million. By November 1959, estimated costs had escalated to $61 meg.[8] Despite this, Rock's design was well received in editorials in The Washington Postal service, Washington Star, and speedily approved by the United states of america Committee of Fine Arts, National Capital Planning Commission, and the National Park Service.[9]

The National Cultural Center was renamed the John F. Kennedy Center for the Performing Arts in 1964, post-obit the bump-off of President Kennedy.[10]

Fundraising [edit]

The National Cultural Center Board of Trustees, a grouping President Eisenhower established January 29, 1959, led fundraising.[6] Fundraising efforts were not successful, with only $thirteen,425 raised in the starting time iii years.[eleven] President John F. Kennedy was interested in bringing culture to the nation's capital, and provided leadership and support for the project.[12] In 1961, President Kennedy asked Roger L. Stevens to help develop the National Cultural Eye, and serve every bit chairman of the Board of Trustees. Stevens recruited First Lady Jacqueline Kennedy equally Honorary Chairman of the Heart, and old First Lady Mamie Eisenhower as co-chairman.[13] In January 1961, Jarold A. Kieffer became the first Executive Director of the National Cultural Center, overseeing numerous fundraising efforts and assisting with the architectural plan.[xiv]

The total cost of construction was $70 meg.[10] Congress allocated $43 million for construction costs, including $23 million as an outright grant and the other $xx million in bonds.[12] Donations likewise comprised a significant portion of funding, including $5 1000000 from the Ford Foundation, and approximately $500,000 from the Kennedy family.[fifteen] [16] Other major donors included J. Willard Marriott, Marjorie Merriweather Post, John D. Rockefeller III, and Robert Westward. Woodruff, too as many corporate donors.[xvi] Foreign countries provided gifts to the Kennedy Heart, including a gift of 3,700 tons of Carrara marble from Italy (worth $1.5 meg) from the Italian regime, which was used in the building'southward construction.[17]

Structure [edit]

President Lyndon B. Johnson dug the ceremonial offset-shovel of earth at the groundbreaking for the Kennedy Heart December ii, 1964.[18] Yet, debate continued for another yr over the Foggy Bottom site, with some advocating for another location on Pennsylvania Avenue.[15] Excavation of the site got underway on Dec 11, 1965, and the site was cleared by January 1967.[xix]

The commencement performance was September 5, 1971, with 2,200 members of the full general public in omnipresence to run into a premiere of Leonard Bernstein'southward Mass in the Opera House,[10] while the Heart's official opening took place September 8, 1971, with a formal gala and premiere performance of the Bernstein Mass.[20] The Concert Hall was inaugurated September 9, 1971, with a functioning by the National Symphony Orchestra conducted by Antal Doráti.[20] Alberto Ginastera's opera, Beatrix Cenci premiered at the Kennedy Eye Opera House September 10, 1971. The Eisenhower Theater was inaugurated October 18, 1971, with a performance of A Doll's House starring Claire Bloom.[21]

Compages [edit]

Builder Edward Durell Stone designed the Kennedy Center.[22] Overall, the building is 100 feet (30 g) high, 630 feet (190 m) long, and 300 feet (91 g) wide. The Kennedy Center features a 630-foot-long (190 m), 63-human foot-high (xix g) grand foyer, with 16 hand-blown Orrefors crystal chandeliers (a souvenir from Sweden) and scarlet carpet. The Hall of States and the Hall of Nations are both 250-foot-long (76 1000), 63-pes-high (xix m) corridors. The edifice has drawn criticism virtually its location (far abroad from Washington Metro stops), and for its calibration and class,[22] although it has also drawn praise for its acoustics, and its terrace overlooking the Potomac River.[22] In her book On Architecture, Ada Louise Huxtable called it "gemütlich Speer."[23]

Cyril M. Harris designed the Kennedy Heart's auditoriums and their acoustics.[24] A key consideration is that many aircraft fly along the Potomac River and overhead the Kennedy Center, every bit they have off and land at the nearby Ronald Reagan Washington National Airport. Helicopter traffic over the Kennedy Center is also fairly loftier. To keep out this noise, the Kennedy Center was designed as a box within a box, giving each auditorium an extra outer beat out.[25]

After the original construction was marked for expansion, a competition in 2013 selected Steven Holl Architects to undertake the design.[26] The extension, called The REACH, opened in 2019.[27]

Artwork [edit]

The plaza entrance of the Kennedy Centre features two tableaus by German language sculptor Jürgen Weber; created between 1965 and 1971, which were a souvenir to the Kennedy Centre from the West German authorities. About the due north finish of the plaza is a display of nude figures in scenes representing war and peace, called War or Peace. The slice, 8 ft × 50 ft × 1.5 ft (two.44 m × 15.24 thou × 0.46 k), depicts five scenes showing the symbolism of war and peace: a state of war scene, murder, family, and creativity.[28] At the south stop is America which represents Weber'due south image of America (8 × fifty × 1.v ft.). 4 scenes are depicted representing threats to liberty, technology, foreign aid and survival, and free speech.[29] It took the creative person four years to sculpt the 2 reliefs in plaster, creating 200 castings, and another 2 years for the foundry in Berlin to cast the pieces. In 1994, the Smithsonian Establishment'southward Save Outdoor Sculpture! program surveyed War or Peace and America and described them as being well maintained.[28] [29] Another sculpture Don Quixote by Aurelio Teno occupies a site near the northeast corner of the edifice. Rex Juan Carlos I and Queen Sofia of Spain gave the sculpture to the Usa for its Bicentennial, June 3, 1976.[30]

Venues [edit]

Layout of the three main theaters at the Kennedy Middle

The Kennedy Centre has three main theaters: the Concert Hall, the Opera Firm, and the Eisenhower Theater.

Concert Hall [edit]

The Concert Hall, located at the south end of the Centre, seats 2,442 including chorister seats and stage boxes, and has a seating arrangement like to that used in many European halls such equally Musikverein in Vienna. The Concert Hall is the largest performance space in the Kennedy Middle and is the home of the National Symphony Orchestra. A 1997 renovation brought a high-tech acoustical canopy, handicap-accessible locations on every level, and new seating sections (onstage boxes, chorister seats, and parterre seats). The Hadeland crystal chandeliers, given by the Norwegian Crown, were repositioned to provide a clearer view.[17] Canadian organbuilder Casavant Frères constructed and installed a new piping organ in 2012.[31]

Opera Business firm [edit]

The Opera House, in the heart, has nearly 2,300 seats. Its interior features include walls covered in red velvet, a distinctive red and gilt silk mantle, given by the Japanese authorities, and Lobmeyr crystal chandelier with matching pendants, which were a gift from the government of Republic of austria.[17] Information technology is the major opera, ballet, and large-scale musical venue of the Heart, and closed during the 2003/2004 season for extensive renovations which provided a revised seating arrangement and redesigned entrances at the orchestra level. It is the home of the Washington National Opera and the almanac Kennedy Center Honors.

Eisenhower Theater [edit]

The Eisenhower Theater, on the north side, seats nigh 1,163 and is named for President Dwight D. Eisenhower, who signed the National Cultural Center Act into law on September 2, 1958. Information technology primarily hosts plays and musicals, smaller-scale operas, ballet and contemporary trip the light fantastic toe. The theater contains an orchestra pit for upwardly to 35 musicians that is convertible to a forestage or additional seating space. The venue reopened in October 2008, post-obit a 16-month renovation which altered the color scheme and seating arrangements.

Other operation venues [edit]

Entrance to the Theater Lab

The Millennium Stage in 2019

Other performance venues in the Heart include:

  • The Family unit Theater, with 324 seats, opened December ix, 2005. Information technology replaced the former American Picture show Found Theater located adjacent to the Hall of States. Designed by the architectural business firm Richter Cornbrooks Gribble, Inc. of Baltimore, the new theater incorporates a computerized rigging system; and a digital video projection system.
  • The Terrace Theater, with 513 seats, was synthetic on the roof terrace level in the late 1970s as a Bicentennial gift from the people of Japan to the United States. Information technology is used for chamber music, ballet and contemporary dance, and theater.
  • The Theater Lab, with 399 seats, currently houses the whodunit Shear Madness which has been playing continuously since Baronial 1987.
  • The Millennium Stage. Part of the concept of "Performing Arts for Everyone" launched by Chairman James Johnson in the winter of 1997, the Millennium Stage provides free performances every evening at half-dozen:00 pm on two specially created stages at either cease of the Grand Foyer. A wide range of art forms are featured on the Millennium Stage. These include performing artists and groups from all 50 states and an Artist-in-Residence program featuring artists performing several evenings in a calendar month. Every testify on the Millennium Stage is bachelor as a simulcast of the alive show at vi:00 pm, and is archived for later on viewing via the Kennedy Center's website.
  • The Terrace Gallery. On March 12, 2003, the space formerly known every bit the Education Resource Eye was officially designated the Terrace Gallery. It is now domicile to the Kennedy Heart Jazz Club.

River and rooftop terraces [edit]

The Kennedy Center offers one of the few open-air rooftop terraces in Washington, D.C.; information technology is free of charge to the public from x:00 a.k. until midnight each day, except when closed for private events. The wide terrace provides views in all four directions overlooking the Rosslyn skyline in Arlington, Virginia, to the West; the Potomac River and National Drome to the South; the Washington Harbor and the Watergate Complex to the Northward; and the Lincoln Memorial, Department of Country buildings, George Washington University and the Saudi Embassy to the Due east.

The K Vestibule, at 63 feet (19 grand) high and 630 anxiety (190 m) long, is 1 of the largest rooms in the earth. If laid on its side, the Washington Monument would fit in this room with 75 feet (23 m) to spare.

Productions [edit]

Dance [edit]

World premiere performances of Kennedy Center-commissioned works have been offered through a commissioning program for new ballet and trip the light fantastic toe works. These works accept been created by America's foremost choreographers—Paul Taylor, Lar Lubovitch, and Merce Cunningham—for leading American dance companies including American Ballet Theatre, Ballet Westward, Houston Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, and the San Francisco Ballet. The Kennedy Centre formerly supported and produced the Suzanne Farrell Ballet in performances at the Center and on extended tours.

The Center sponsors ii annual dance residency programs for young people; Exploring Ballet with Suzanne Farrell and the Trip the light fantastic Theatre of Harlem Residency Program, both now in their second decade. The Kennedy Center's Contemporary Dance series offers a broad range of artistic perspectives, from the foremost masters of the genre to the art form'southward newest and almost exciting artists. In the 2008/2009 serial, the Kennedy Eye recognized Modern Masters of American Dance, bringing Martha Graham Trip the light fantastic toe Company, Merce Cunningham Trip the light fantastic toe Company, Limón Dance Company, Mark Morris Trip the light fantastic toe Group, Alvin Ailey American Trip the light fantastic toe Theater, Bill T. Jones/Arnie Zane Dance Visitor and Paul Taylor Dance Company.

Education [edit]

In recent years the Kennedy Center has dramatically expanded its education programs to accomplish immature people, teachers, and families throughout the nation. The 2005 opening of the Family unit Theater has helped accomplish this.

Performances for Immature Audiences [edit]

Theater for Immature Audiences (TYA)

The 2008–2009 season programming for Performances for Young Audiences reached more than than 100 performances for immature people and their families and over 110 performances for schoolhouse audiences. The season included four Kennedy Center-deputed earth premieres: The Trumpet of the Swan, a musical adapted past Pulitzer Prize winner Marsha Norman from the book by E.B. White with music by Jason Robert Brown; Mermaids, Monsters, and the Earth Painted Purple, a new play by Marco Ramirez; Unleashed! The Cloak-and-dagger Lives of White Business firm Pets, a new play past Allyson Currin in collaboration with the White Firm Historical Clan; and OMAN...O homo!, a new trip the light fantastic toe production conceived and directed by Debbie Allen and is function of the Center's Arab festival, Arabesque: Arts of the Arab World. Theater for Young Audiences on Tour toured with two nationally touring productions of The Phantom Tollbooth and Blues Journey.

On June 8, 2016 it was appear that the Kennedy Eye Theater for Young Audiences-deputed musical Elephant & Piggie's We are in a Play!, with book and lyrics by Mo Willems and music by Deborah Wicks La Puma, volition transfer to the Off-Broadway New Victory Theater in January 2017.[32]

National Symphony Orchestra Performances for Young Audiences

Members of the National Symphony Orchestra will continue to present Teddy Bear Concerts throughout its seasons. During these concerts, children aged three to v bring their favorite stuffed animal to interactive musical programs featuring members of the NSO. Members of the NSO nowadays NSO Ensemble Concerts, connecting music with various school subjects such as scientific discipline and math, Kinderkonzerts, introducing kids to orchestral instruments and classical composers, as well as NSO Family Concerts.

Kennedy Center American College Theater Festival (KCACTF) [edit]

Started in 1969 by Roger 50. Stevens, the Kennedy Middle's founding chairman, the Kennedy Centre American College Theater Festival (KCACTF) is a national theater program involving 18,000 students from colleges and universities nationwide which has served equally a goad in improving the quality of college theater in the United States. The KCACTF has grown into a network of more than than 600 academic institutions throughout the country, where theater departments and student artists showcase their work and receive exterior assessment by KCACTF respondents. Since its establishment in 1969, KCACTF has reached more than than 17.5 million theatergoing students and teachers nationwide.

Changing Teaching Through the Arts (CETA) [edit]

The Kennedy Center'south CETA program'due south mission is make the arts a critical component in every child's teaching. CETA, which stands for Changing Education Through the Arts, creates professional person development opportunities for teachers and school administrators. Each yr over 700 teachers participate in approximately 60 courses that focus on means to integrate the arts into their didactics.[33] The Kennedy Centre's CETA program also partners with 16 schools in the Washington DC Metro area to develop long-range plan for arts integration at their school. Two of these schools, Kensington Parkwood Elementary School in Kensington, MD and Woodburn Simple School for the Fine and Chatty Arts in Falls Church, Virginia serve equally Research and Evolution schools for CETA.

Exploring Ballet with Suzanne Farrell (EBSF) [edit]

Exploring Ballet with Suzanne Farrell is a 3-week summer ballet intensive for international pre-professional ballerinas ages 14–eighteen. Suzanne Farrell, one of the nigh revered ballerinas of the 20th century, has been hosting this Balanchine-inspired intensive at the Kennedy Middle since 1993.[34] [35] During their three weeks in Washington, D.C., Farrell'south students exercise technique and choreography during twice daily classes, half-dozen days per week. Exterior of the classroom, excursions, activities and performance events are planned for EBSF students to fully immerse themselves in the civilisation of the nation'south majuscule.[34]

Festivals [edit]

The Kennedy Center presents festivals celebrating cities, countries, and regions of the globe. The festivals are filled with a wide range of performing arts, visual arts, cuisine, and multi-media. In 2008, the Center presented an exploration of the culture of Japan entitled Japan! civilization + hyperculture. The 2009 Arab festival was an unprecedented exploration of the civilisation of the 22 Arab countries in the League of Arab States, titled Arabesque: Arts of the Arab World. In 2011, the Kennedy Center presented maximum Republic of india, a three-week-long commemoration of the arts and culture of the sub-continent.

Jazz [edit]

Since its institution in September 1971, the John F. Kennedy Center for the Performing Arts has showcased jazz in solo, various ensembles, and big band settings. In 1994, the Kennedy Centre appointed Dr. Billy Taylor equally Artistic Counselor for Jazz, and his first installation was his own radio show Billy Taylor's Jazz at the Kennedy Middle. Featuring his trio and guest artists in operation and discussion, the series ran for seven seasons on NPR. Since Taylor's appointment in 1994, the Eye has initiated numerous functioning programs to promote jazz on a national stage, featuring leading international artists and rising stars, including: the Art Tatum Piano Panorama, named after Dr. Taylor'southward mentor; the Louis Armstrong Legacy, highlighting vocalists; the Mary Lou Williams Women in Jazz Festival, the first festival past a major establishment promoting outstanding female jazz artists; Beyond Category, featuring artists whose work transcends genre; the Platinum Series, with internationally acclaimed headliners; Jazz Ambassadors with the Usa Department of State, sending musicians on worldwide goodwill tours (1998–2004); the KC Jazz Social club, a highly praised intimate setting; and Discovery Artists in the KC Jazz Club, highlighting upwards-and-coming talent. Kennedy Centre and NPR annually collaborated on the love vacation broadcast 'NPR'south Piano Jazz Christmas', until the retirement of host Marian McPartland, and hence the show, in 2011. Since 2003, the Center's jazz programs have been regularly broadcast on NPR's JazzSet with Dee Dee Bridgewater. Recent highlights, produced by the Center, have included Great Vibes, A Salute to Lionel Hampton (1995); Baton Taylor'south 80th Birthday Celebration (2002); Nancy Wilson, A Career Celebration (2003); Michel Legrand with Patti Austin, part of the Eye's Festival of France (2004); A Tribute to Shirley Horn (2004); James Moody's 80th Birthday (2005); and Benny Golson at 80 (2009). In March 2007, the Centre hosted a in one case-in-a-lifetime celebration, Jazz in Our Fourth dimension, which bestowed the Center'south Living Jazz Legend Award to over xxx revered artists. During Dr. Taylor'due south tenure, the Center has created recognized educational initiatives, including national jazz satellite distance-learning programs; adult lecture series; chief classes and workshops with national artists and local metropolitan Washington, D.C. students; and Betty Carter'due south Jazz Ahead—continuing the singer's legacy of identifying outstanding young talent. In 2015, Lady Gaga and Tony Bennett performed there as function of their Cheek to Cheek Bout.

National Symphony Orchestra (NSO) [edit]

The National Symphony Orchestra, the Kennedy Center's creative chapter since 1987, has commissioned dozens of new works, amidst them Stephen Albert'southward RiverRun, which won the Pulitzer Prize for Music; Morton Gould's Stringmusic, also a Pulitzer Prize-winner; William Bolcom's Sixth Symphony, Roger Reynolds'due south george WASHINGTON, and Michael Daugherty'southward UFO, a concerto for solo percussion and orchestra.

In add-on to its regular season concerts, the National Symphony Orchestra presents outreach, education, and pops programs, likewise as concerts at Wolf Trap each year. The annual American Residencies for the Kennedy Center is a program unique to the National Symphony Orchestra and the Heart. The Heart sends the Orchestra to a dissimilar state each year for an intensive period of performances and teaching encompassing full orchestral, bedroom, and solo concerts, master classes and other educational activity sessions. The Orchestra has given these residencies in twenty states then far: Alabama, Alaska, Arizona, Arkansas, Kansas, Louisiana, Maine, Mississippi, Nebraska, Nevada, North and South Carolina, Oklahoma, Due north and South Dakota, Tennessee, Vermont, Nevada, and Wyoming/Montana.

The NSO recording of John Corigliano's Of Rage and Remembrance won a Grammy Award in 1996.

Performing Arts for Everyone (PAFE) [edit]

The Kennedy Center is the only U.S. institution that presents a free performance 365 days a year, daily at 6pm (12 apex on December 24). The Millennium Stage, created as part of the Heart'southward Performing Arts for Everyone initiative in 1997 and underwritten by James A. Johnson and Maxine Isaacs, features a broad spectrum of performing arts, from dance and jazz, to bedroom music and folk, comedy, storytelling and theater. In the by twelve years, over three meg people have attended Millennium Stage performances. The Millennium Stage has presented more than 42,000 artists, which includes over 4,000 international artists from more 70 countries; performers representing all 50 states; and 20,000 Washington-area ensembles and solo artists. The Charlie Byrd Trio and the Billy Taylor Trio were the offset artists to delight audiences with a complimentary functioning on March ane, 1997. In 1999, the Centre began spider web-casting each night'due south live operation, and continues to archive and maintain each event in a database of over 3,000 performances which may exist accessed via the Center's website. Performing Arts for Everyone initiatives also include depression- and no-cost tickets available to performances on every stage of the Kennedy Middle, and several outreach programs designed to increase access to Kennedy Center tickets and performances.

The Conservatory Project [edit]

An initiative of the Millennium Phase, the Conservatory Project is a semi-almanac outcome occurring in February and May that is designed to present the all-time immature musical artists in classical, jazz, musical theater, and opera from leading undergraduate and graduate conservatories, colleges and universities.

Artist Residencies [edit]

The Kennedy Center hosts residencies for artists to collaborate with the Center'south performing ensembles, programmers, and community initiatives. The Center holds positions for Composer-in-Residence, Education Artist-in-Residence, and Culture Artist-in-Residence. The current artists-in-residence are The Roots, author Jacqueline Woodson, composer Carlos Simon, and pianist Robert Glasper.[36]

Theater [edit]

The Center has co-produced more than 300 new works of theater over the past 43 years, including Tony-winning shows ranging from Annie in 1977 to A Few Good Men, How to Succeed in Business Without Actually Trying, The Male monarch and I, Titanic, and the American premiere of Les Misérables. The Middle also produced the Sondheim Commemoration (six Stephen Sondheim musicals) in 2002, Tennessee Williams Explored (three of Tennessee Williams' classic plays) in 2004, Mame starring Christine Baranski in 2006, Carnival! in 2007, August Wilson'due south Pittsburgh Bike (Wilson's complete ten-play cycle performed as fully staged readings) and Broadway: Iii Generations both in 2008, and a new production of Ragtime in 2009. The Kennedy Center Fund for New American Plays has provided critical support in the evolution of 135 new theatrical works. In 2011, a new product of Follies starring Bernadette Peters opened at the Eisenhower Theater, and transferred to Broadway that autumn.[ needs update ]

Kennedy Center Honors [edit]

Since 1978, the Kennedy Centre Honors accept been awarded annually past the Center's Lath of Trustees. Each twelvemonth, v artists or groups are honored for their lifetime contributions to American culture and the performing arts, including dance, music, theater, opera, picture, and television.[37] The Center has awarded the Mark Twain Prize for American Sense of humour since 1998.

Local performing arts organizations [edit]

Many local arts organizations present (or have presented) their piece of work at the Kennedy Middle. Some of these include:

  • American Film Establish
  • The Washington Chorus
  • The Cathedral Choral Society of Washington
  • Choral Arts Society of Washington
  • Opera Lafayette
  • VSA arts
  • The Washington Ballet
  • Washington Concert Opera
  • Washington National Opera
  • Washington Performing Arts Society[38]
  • Woolly Mammoth Theatre Visitor
  • Immature Concert Artists of Washington[39]

Other events [edit]

During the American Bicentennial, the Kennedy Centre hosted numerous special events throughout 1976, including vi deputed plays.[40] The center hosted free performances by groups from each state.[41] In Dec 1976, Mikhail Baryshnikov's version of The Nutcracker ballet played for two weeks.[42] The Kennedy Heart also hosts special inauguration events and galas.

In 1977, the Opera House hosted George Bernard Shaw's Caesar and Cleopatra with Rex Harrison and Elizabeth Ashley.[43] The American Ballet Theatre has besides ofttimes performed at the Kennedy Centre.[44] The troupe'south 2004 product of Swan Lake, choreographed past Kevin McKenzie, was taped there, shown on PBS in June 2005, and released on DVD shortly after. Productions of The Lion Male monarch and Trevor Nunn'southward production of My Fair Lady (choreographed by Matthew Bourne) were presented in the 2007–2008 season, to name a few.[45]

The 50th Ceremony Celebration Concert was held on September 14, 2021, and is scheduled to air on PBS on October ane, 2021. Audra McDonald hosted, and First lady Jill Biden gave opening remarks.[46]

Millennium Stage Athenaeum [edit]

The Kennedy Heart stages free daily performances on its Millennium Stage in the Grand Lobby. Featured on the Millennium Stage are a range of fine art forms, including performing artists and groups.

The two theaters of The Millennium Phase are equipped with lights, sound systems, and cameras. Every free result performed at this stage is recorded and archived on the Kennedy Centre's website. These archives have been available to the public for costless since 2009.[47]

VSA [edit]

VSA (formerly VSA arts) is an international nonprofit organisation founded in 1974 past Ambassador Jean Kennedy Smith to create a society where people with disabilities learn through, participate in, and enjoy the arts. VSA provides educators, parents, and artists with resource and the tools to support arts programming in schools and communities. VSA showcases the accomplishments of artists with disabilities and promotes increased access to the arts for people with disabilities. Each year 7 one thousand thousand people participate in VSA programs through a nationwide network of affiliates and in 54 countries around the world. Affiliated with the Kennedy Center since 2005, VSA was officially merged into the organization in 2011 to become part of the Center's Department of VSA and Accessibility.

Renovations and expansion [edit]

On June 16, 1971, Congress authorized appropriations for one year to the Board of Trustees for operating and maintenance expenses. In post-obit years, the appropriations were provided to the National Park Service for operations, maintenance, security, safety and other functions not directly related to the performing arts activities.[48] The National Park Service and the Kennedy Center signed a cooperative agreement requiring each political party to pay a portion of the operating and maintenance costs based on what proportion of fourth dimension the building was to be used for performing arts functions. The agreement did not specify who was responsible for long-term capital improvement projects at the Kennedy Center, along with only periodic funding by Congress for i-fourth dimension projects.[49]

1990–2005 [edit]

In fiscal years 1991 and 1992, Congress recommended that $27.vii one thousand thousand be allocated for upper-case letter improvement projects at the Centre, including $12 meg for structural repairs to the garage and $15.7 million for structural and mechanical repairs, besides as projects for improving handicapped admission.[50] In 1994, Congress gave full responsibility to the Kennedy Center for capital comeback projects and facility management.[51] From 1995 to 2005, over $200 1000000 of federal funds were allocated to the Kennedy Center for long-term majuscule projects, repairs, and to bring the center into compliance with modern fire safe and accessibility codes.[51] Improvements included renovation of the Concert Hall, Opera House, plaza-level public spaces, and a new fire warning organisation.[52] The renovations projects were completed 13 to l percent over budget, due to modifications of plans during the renovations resulting in overtime and other penalties.[53] Renovations to the Eisenhower Theater were completed in 2008.[45]

2013–present [edit]

Beginning in 2013, the Center commenced with an 60,000 foursquare feet (five,600 1000two) expansion project on four acres in the Eye's South Plaza. The expansion adds classroom, rehearsal, and functioning space and includes three pavilions (the Welcome Pavilion, the Skylight Pavilion, and the River Pavilion), reflecting pool, a tree grove, a sloping lawn to be used for outdoor performances, and a pedestrian bridge over Stone Creek Parkway.[54] [55] The architect is Steven Holl,[55] with aid from architectural firm BNIM.[56] Edmund Hollander Landscape Architects is the landscape architect.[57]

Plans for the project began after David M. Rubenstein donated $50 meg to the center.[56] A groundbreaking ceremony took place in December 2014. Originally estimated to cost $100 1000000, the cost of the project grew to $175 million, and design changes and a major D.C. sewer project significantly delayed structure. The expansion, entitled the REACH, opened on September 7, 2019 with an opening arts festival.[55] [58] [59] The fundraising goal for the new Reach arts middle grew to $250 million[60] as the projection progressed, and the target was achieved just ii days before opening. Since its opening, the REACH every bit received several design awards, such as the Builder's Paper Best of the Twelvemonth Honour in the Cultural category and an Honor Laurels in the 2020 AIA NY Design Awards.[61] [62]

Management [edit]

Prior to 1980, daily operations of the Kennedy Center were overseen by the chairman of the board of directors, and by the board itself. Aspects of the center'southward programming and operations were overseen by various other people. George London was the Kennedy Center's first executive director (frequently chosen "creative director" by the press, although that was non the formal title), serving from 1968 to 1970,[63] while William McCormick Blair, Jr. was its first administrative director.[64] Julius Rudel took over equally music director in 1971.[65] In 1972, Martin Feinstein replaced London and held the position of artistic director until 1980.[66] Marta Casals Istomin was named the kickoff female person creative managing director in 1980, a position she held until 1990;[67] she was also the showtime person to be formally invested with that title.[68] [69]

In 1991, the board created the position of chief operating officer to remove the day-to-day operations of the Kennedy centre from the chairman and lath. Lawrence Wilker was hired to fill the position, which later was retitled president.[70] The artistic director connected to oversee artistic programming, under the president's direction.

Michael Kaiser became president of the Kennedy Center in 2001. He left the organization when his contract expired in September 2014.[seventy] [71]

In September 2014, Deborah F. Rutter became its third president; she is the first woman to hold that mail service. Rutter had previously been president of the Chicago Symphony Orchestra Association, a position she held from 2003.[67]

Board of Trustees [edit]

The Kennedy Centre Board of Trustees, formally known as the Trustees of the John F. Kennedy Eye for the Performing Arts, maintains and administers the Eye and its site. David 1000. Rubenstein is the chairman of the lath.

The honorary chair members of the board are the Get-go Lady and her living predecessors. Members of the board are specified by 20 USC 76h and include ex officio members such every bit the Secretary of Health and Human Services, the Librarian of Congress, the Secretary of State (substituting for the Director of the United states Data Agency after that agency was abolished), the Chairman of the Commission of Fine Arts, the Mayor of the Commune of Columbia, the Superintendent of Schools of the District of Columbia, the Manager of the National Park Service, the Secretary of Education and the Secretary of the Smithsonian Institution, too every bit 36 general trustees appointed by the President of the United states of america for six-year terms.[72]

Come across too [edit]

  • List of memorials to John F. Kennedy

References [edit]

Notes

  1. ^ a b "U.S. capital seeks to build culture center". Lewiston Morning Tribune. (Idaho). Associated Press. October 21, 1962. p. 2.
  2. ^ Tom (Feb 24, 2014). "The Kennedy Center Could Have Looked Like This". Ghosts of DC . Retrieved Feb nineteen, 2019.
  3. ^ a b Meersman, Roger (1980). "The Kennedy Eye: From Dream to Reality". Records of the Columbia Historical Society. 50: 527–528.
  4. ^ "Timeline of SRI International Innovations: 1940s - 1950s". SRI International. Archived from the original on November 29, 2006. Retrieved July ane, 2012.
  5. ^ Meersman, Roger (1980). "The Kennedy Heart: From Dream to Reality". Records of the Columbia Historical Social club. 50: 529.
  6. ^ a b Meersman, Roger (1980). "The Kennedy Heart: From Dream to Reality". Records of the Columbia Historical Society. l: 541.
  7. ^ Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Social club. 50: 542.
  8. ^ Meersman, Roger (1980). "The Kennedy Heart: From Dream to Reality". Records of the Columbia Historical Society. fifty: 543.
  9. ^ Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Guild. l: 544.
  10. ^ a b c Robertson, Nan (September 6, 1971). "At Concluding, the Performances Begin". The New York Times . Retrieved November 4, 2014.
  11. ^ Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Society. 50: 545.
  12. ^ a b Lydon, Christopher (September 6, 1971). "Kennedy Arts Center Primps for Opening and Hopes to Make Profit". The New York Times.
  13. ^ Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Society. fifty: 546.
  14. ^ Press release [1]. The John F. Kennedy Library. Retrieved: 6 March 2020
  15. ^ a b Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Lodge. 50: 564.
  16. ^ a b Curtis, Charlotte (September 3, 1971). "Clamor Continues for Seats at Kennedy Center Opening". The New York Times.
  17. ^ a b c "$3-Million in Gifts Beautify Center". The New York Times. September half dozen, 1971.
  18. ^ Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Society. 50: 560.
  19. ^ Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Society. 50: 568–569.
  20. ^ a b Schonberg, Harold C. (September ii, 1971). "Kennedy Hall Gets Acoustics Workout". The New York Times.
  21. ^ Hutchinson, Louise (October 19, 1971). "Eisenhower Theater Opening Performance Seen by Nixons". Chicago Tribune.
  22. ^ a b c Weeks, Christopher (1994). AIA Guide to the Architecture of Washington, D.C. (Third ed.). Johns Hopkins University Press. ISBN9780801847134.
  23. ^ Huxtable, Ada Louise (2008). On Architecture: Nerveless Reflections on a Century of Modify . Bloomsbury. p. 82. ISBN978-0-8027-1707-eight.
  24. ^ Roth, Leland M. (1982). A Concise History of American Architecture. Westview Press. p. 337. ISBN978-0064300865.
  25. ^ Raichel, Daniel R. (2000). The Science and Applications of Acoustics . Springer. p. 252. ISBN978-0387989075.
  26. ^ "Steven Holl Receives Approving for Kennedy Eye Pedestrian Bridge". ArchDaily. July 31, 2016. Retrieved May nine, 2018.
  27. ^ "Welcome to the Achieve | the Kennedy Middle | Kennedy Center".
  28. ^ a b "War or Peace, (sculpture)". Save Outdoor Sculpture, District of Columbia survey. Smithsonian Institution. 1994. Retrieved Nov 4, 2014.
  29. ^ a b "America, (sculpture)". Relieve Outdoor Sculpture, District of Columbia survey. Smithsonian Institution. 1994. Retrieved November 4, 2014.
  30. ^ "Kennedy Unit to Go King's Gift". Spartanburg Herald-Journal. Associated Press. May 9, 1976. Retrieved November 4, 2014.
  31. ^ Wakin, Daniel J. (September 27, 2011). "Kennedy Center to Supercede Its Pipe Organ". The New York Times.
  32. ^ Swain, Marianka. "New Flavor Appear for New Victory Theater". broadwayworld.com.
  33. ^ "Ceta: Plan Overview". Retrieved December 18, 2011.
  34. ^ a b "Exploring Ballet with Suzanne Farrell". Retrieved July 16, 2015.
  35. ^ "Trip the light fantastic toe Spotlight: Learning Curve". Archived from the original on July 17, 2015. Retrieved July 16, 2015.
  36. ^ "50th Anniversary Flavor | Kennedy Middle". www.kennedy-center.org . Retrieved April 10, 2021.
  37. ^ Boliek, Brooks (September viii, 1994). "Kennedy nods to Douglas, Gould". The Hollywood Reporter.
  38. ^ Washington Performing Arts Society website
  39. ^ Young Concert Artists of Washington website
  40. ^ Darling, Lynn (January i, 1977). "Bicentennial Hailed for Its Legacies". The Washington Mail service . Retrieved November 4, 2014.
  41. ^ "Critics' Roundtable The Arts: Poised for 1977". The Washington Postal service. Jan 2, 1977. Retrieved November iv, 2014.
  42. ^ Kriegsman, Alan Thou. (Jan two, 1977). "The New Nutcracker: An Creative Coup". The Washington Mail . Retrieved November 4, 2014.
  43. ^ Quinn, Emerge (January 12, 1977). "Male monarch Harrison: 'The Earth Was A Rather Unlike Place And then'". The Washington Post . Retrieved Nov 4, 2014.
  44. ^ Kriegsman, Alan Thou. (Apr 11, 1977). "ABT's Concluding Weekend: Upbeat Performances". The Washington Post . Retrieved Nov iv, 2014.
  45. ^ a b Smith, Tim (March 6, 2007). "Kennedy Center announces details of 2007–2008 flavor". The Baltimore Dominicus. Archived from the original on March 24, 2007.
  46. ^ Marsh, Kayla. "All Is Bright Again: Inside The Kennedy Center's Star-Studded 50th Ceremony Celebration Concert", District Fray, September sixteen, 2021; and Hampton, Olivia. "Stars shine for Kennedy Center 50th ceremony show", DC Metro Theater Arts, September 16, 2021
  47. ^ "Millennium Stage". Kennedy Center. Retrieved November 4, 2014.
  48. ^ Full general Bookkeeping Part (February 1993). "Kennedy Center: Information on the Capital Improvement Plan" (PDF). p. ii.
  49. ^ General Accounting Office (February 1993). "Kennedy Center: Data on the Capital Improvement Program" (PDF). p. 3.
  50. ^ Full general Bookkeeping Role (Feb 1993). "Kennedy Heart: Data on the Capital Improvement Program" (PDF). GAO Report to Congress. p. 4.
  51. ^ a b Authorities Accountability Part (Apr 2005). "Stronger Oversight of Fire Safety Problems, Structure Projects, and Financial Direction Needed" (PDF). p. 1.
  52. ^ Authorities Accountability Function (April 2005). "Stronger Oversight of Burn Condom Issues, Construction Projects, and Financial Management Needed" (PDF). p. three.
  53. ^ Regime Accountability Office (April 2005). "Stronger Oversight of Fire Safety Issues, Construction Projects, and Financial Management Needed" (PDF). p. four.
  54. ^ Peggy McGlone, Completion of Kennedy Center expansion yet more than a year abroad, Washington Post (May 8, 2018).
  55. ^ a b c "Expansion Project". John F. Kennedy Heart for the Performing Arts.
  56. ^ a b "KC firm BNIM will help design $100 million expansion of Kennedy Heart". Kansas Metropolis Star. April 4, 2013. Retrieved November 4, 2014.
  57. ^ "The Reach at the [sic] The Kennedy Centre". The Kennedy Center. Retrieved October 28, 2018.
  58. ^ "Welcome to the REACH | The Kennedy Center | Kennedy Heart". www.kennedy-center.org . Retrieved July 12, 2021.
  59. ^ "REACH Opening Festival Announcement | Kennedy Center". www.kennedy-center.org . Retrieved July 12, 2021.
  60. ^ "Kennedy Center celebrates latest expansion 'The Reach' with free opening festival". WTOP. September 7, 2019. Retrieved September 12, 2019.
  61. ^ "Announcing the winners of the 2020 AN Best of Pattern Awards". The Architect'due south Newspaper. December 2, 2020. Retrieved July 12, 2021.
  62. ^ "THE Reach". AIA New York . Retrieved July 12, 2021.
  63. ^ Davis, Peter G. (September 17, 1981). "Nov. iv Gala to Honor George London". The New York Times . Retrieved November 4, 2014.
  64. ^ Robertson, Nan (Feb 1, 1968). "Rudel and Blair Have Kennedy Arts Eye Jobs". The New York Times . Retrieved November 4, 2014.
  65. ^ Taubman, Howard (August 30, 1971). "Rudel Logs a Hectic Mean solar day In Kennedy Center Roles". The New York Times . Retrieved November four, 2014.
  66. ^ Saxon, Wolfgang (Feb 7, 2006). "Martin Feinstein, 84, Dies; Led the National Opera". The New York Times . Retrieved March 12, 2016.
  67. ^ a b Boyle, Katherine (December 10, 2013). "Deborah F. Rutter to Go Kennedy Center'south Third President". The Washington Mail . Retrieved November 4, 2014.
  68. ^ "Kennedy Eye Artistic Director". Christian Science Monitor. February 29, 1980. Retrieved November iv, 2014.
  69. ^ Cummings, Judith; Krebs, Albin (Feb 27, 1980). "The Kennedy Center Names a New Artistic Director". The New York Times . Retrieved November iv, 2014.
  70. ^ a b Boyle, Katherine (January 23, 2013). "Kennedy Center Volition Begin Search to Replace President Michael One thousand. Kaiser". The Washington Post. Archived from the original on February 17, 2013. Retrieved November 4, 2014.
  71. ^ Pogrebin, Robin (December 10, 2013). "Kennedy Centre Names New Main". The New York Times . Retrieved November four, 2014.
  72. ^ "Board of Trustees". Retrieved April 13, 2021.

External links [edit]

  • Official website
  • The John F. Kennedy Center for the Performing Arts at Google Cultural Plant

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Source: https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts

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